Okay, so let me just say that I couldn’t agree more with the #Top10 featured Producer write-up of 2018-2019 by QREWCIAL.
“From Tay Keith to Murda Beatz, we have a more in-depth and closer look at not only QREWCIAL’s Top #10 but Jestificateds Top #12. Giving a total of 22 Trap Producer’s of 2019, who are definitely some of the most remarkable studio wizards working today with persistence and dedication. However, I thought it would not be an original piece of literary and informative art if I did not allow my personal opinion and input to shed light on a few other Producers within the Trap/Hip-Hop #BeatMaking community.
Especially, to those that have not only caught my attention, but they have also continuously managed to showc.ase their unique “ear-vision, skill-set, and talents in such a “silent, but Public” manner.
And through your favorite vocal Artists on the track or lyrical rhyming or freestyle abilities….which is all being done by the means of “That #1 streaming hit- song that’s trending on all platforms, by #1 person, #1 post or #1 story shared on social media, rather.
So, with that said. Please take a look at the following Producers that I nominate, because every single one of them have been definitely “cooking-it-up” in the studio, while many of us were sleeping in our beds at night, at the movies, on a date, in the club, shopping or gaming the night away with the dudes.
Therefore, they deserve a great amount of credit, accolades, recognition and DM’s #Beats4$ale”, including the #Top 10 listed initially below obviously.
My top #12 range from a variety of regions primarily within the US this time, but next time, I will be seeking International bad-ass Producers, cuz I know yall got some fire overseas. FYI-This is just my personal #heavy-hitters -to the most underrated,
Also, there is –> No Particular Order… Simply a random-numeric-list.”
JESTIFICATED’S TOP #12 Trap Producers of 2018-19′
Below is Qrewcial’s Top #10 Hip Hop Producers with a major impact on the Rap/Trap of 2018-2019 ‘
“So we are all looking forward to hearing what they roll out next.”
An active beatmaker since age 14, the Memphis native was one of 2018’s breakout stars. Popping up on cuts by everyone from Travis Scott and Drake to Lil Wayne and Lil Yachty – all while still enrolled full-time at Middle Tennessee State University. His crowning achievement: the mega-hit “Sicko Mode,” which earned the 22-year-old a Grammy nomination for Best Rap Song. More recently, Keith produced tracks on Future’s The WIZRD (released earlier this month) and continues to build up his production label, Drumatized.
Production Highlights: “Sicko Mode” (Travis Scott); “Nonstop” (Drake); “Look Alive” (BlocBoy JB ft. Drake)
Lacy joined Odd Future’s resident neo-soul collective the Internet in 2013, co-producing their subsequent album Ego Death—which garnered the group a Best Urban Contemporary Album nod at the 2015 Grammys. The multi-instrumentalist’s scrappy, soul-tinged sensibilities have since caught the attention of Kendrick Lamar, J. Cole, Isaiah Rashad, and Vampire Weekend (who have recruited him for this year’s forthcoming record, Father of the Bride). His 2017 debut solo EP—aptly titled Steve Lacy’s Demo—made him a star in his own right, and the following year saw him contribute to records by Blood Orange, Mac Miller, and Ravyn Lenae, as well as the Internet’s excellent Hive Mind
Production Highlights: “PRIDE.” (Kendrick Lamar); “Roll (Burbank Funk)” (The Internet); “Just a Stranger” (Kali Uchis)
A protégé of Boi-1da, Ontario’s Ebony Oshunrinde has built up a steady stream of big-name production credits since age 17 when she worked on “Crown” from Jay-Z’s Magna Carta Holy Grail. The 21-year-old’s expansive resumé includes work alongside Rihanna, Young Thug, Lil Uzi Vert, Drake, and Big Sean. She’s also lent a hand with every Travis Scott release since 2013–including a pair of cuts from ASTROWORLD.
Production Highlights: “Bitch Better Have My Money” (Rihanna); “Freaky” (Young Thug); “No Bystanders” / “Can’t Say” (Travis Scott)
2016’s 99.9%—a magical, glimmering whirlwind of retro-funk and 808-soul—should have been Louis Celestin’s one-way ticket to superstardom. Granted, it did win him the prestigious Polaris Prize that year, but far too many seem to remain unaware of the journeyman Haitian-born Québécois. Still, the accomplished über-talent soldiers on. Kaytra’s 2018 work included remixes of Lou Phelps, Kelela, and Robert Glasper, in addition to the Nothin’ Like U / Chances EP featuring guest spots from Shay Lia and Ty Dolla $ign. What’s next for him? With luck, something that gets him the fanbase he deserves.
Production Highlights: “Girl” (The Internet); “Rush” (Kali Uchis); “LUST.” (Kendrick Lamar)
The Swedish composer had his biggest year yet in 2018. Besides his score for the blockbuster Marvel flick Black Panther, he and perennial collaborator Donald “Childish” Gambino” Glover reunited for a pair of brilliant, blistering singles in “This is America” and Summer Pack. Göransson somehow also found time to score four other films last year (including Venom and Creed II). As for 2019, he’s rumored to be among the guest producers for Kanye West’s upcoming record Yandhi—a combination that’s sure to further propel his already-rising star.
Production Highlights: Black Panther soundtrack / original score; “This is America” / “Feels Like Summer,” etc. (Childish Gambino); “Self-Help Tape” (Moses Sumney)
Over the course of the decade, the Ontario-born Interscope signee has become one of the most sought-after names in modern hip-hop. In 2018, he helped give Drake his fifth U.S. number one with Scorpion cut “Nice for What,” while his tracks for Cardi, Migos, 2 Chainz, and 6ix9ine also made impressive chart leaps. Murda (born Shane Lindstrom) has two mixtapes to his name thus far—including last year’s Smokepurpp team-up Bless Yo Trap—and is reportedly working on a third.
Production Highlights: “Nice for What” (Drake); “I Do” (Cardi B ft. SZA)”; “MotorSport” (Migos ft. Cardi B & Nicki Minaj)
The Yonkers-based Ritter has worked with the biggest names in the business throughout his impressive career—Kanye, Future, Nicki Minaj, Rihanna, and so on. His artistry was well-nigh inescapable last year, popping up on tracks by Cardi B, G-Eazy, Jay Rock, Tinashe, Drake, and Travis Scott. He also served as a co-producer on four tracks off Metro Boomin’s solo debut Not All Heroes Wear Capes and released his first trio of solo singles. If his astounding track record is any indication, Ritter will be sticking around for quite a while, and 2019 will give him plenty of opportunities to put his talents to work.
Production Highlights: “Work” (Rihanna ft. Drake); “The Language” / “Mob Ties,” etc. (Drake); “Saint Pablo” (Kanye West ft. Sampha)
Kenneth Blume III found himself in dire financial straits at the beginning of 2018, having quit his EDM DJ gig to focus on rap. It turned out to be a decent decision on the Connecticut native’s part. He spent the rest of the year lending a hand to sizable chunks of new records by some of the hugest rising talents in the game—Rico Nasty, JPEGMAFIA, Ski Mask the Slump God, 03 Greedo, and Vince Staples, to name a few—and full-length collabs with Key! and ALLBLACK. That heroic May-December run, combined with his knack for creatively tailoring beats to suit his artists, made a star of Blume—and made “Whoa, Kenny!” among the most instantly recognizable tags in recent memory.
Production Highlights: “Smack a Bitch” (Rico Nasty); “In My Feelings” (03 Greedo); “Feels Like Summer” / “Outside,” etc. (Vince Staples)
Ronald LaTour helped orchestrate the new wave of Atlanta trap that launched artists like Young Thug into superstardom. He continued his innovative streak through 2018, reuniting with Thug for much of his Slime Language compilation and lending his sparse, soulful style to studio efforts from Meek Mill, Gunna, Nav, Trippie Redd, Lil Baby, 21 Savage, and many more. Wheezy kicked off the new year with multiple appearances on Future’s The WIZRD.
Production Highlights: Barter 6 / Slime Season, etc. (Young Thug); “White Sand” (Migos ft. Travis Scott, Big Sean & Ty Dolla $ign); “Going Bad” (Meek Mill ft, Drake)
He certainly did. After winning a BET Hip Hop Award for Best Single of the Year for Cardi B’s savage “Bodak Yellow,” J went on to reteam with Cardi for an additional pair of cuts from her debut full-length Invasion of Privacy. One of them, the grand celebration of Latin culture that was “I Like It,” became one of the duo’s most massive hits, debuting at No. 8 on the Hot 100 and meriting a Record of the Year Grammy nomination. Hard to say how White will follow up such a wildly successful year, but his prowess as a hitmaker remains extremely promising.
Production Highlights: “I Like It” (Cardi B ft. Bad Bunny & J Balvin); “Money Bag” / “Money” (Cardi B)
Top 10 List & Video courtesy of Youtube and cited by Source via QREWCIAL by
Feature Photo via Producer Bow Price’s IG